Originally published on Metropolismag.com
The Memphis alum’s still lifes and maquettes are reminiscent of the erstwhile collective’s works, only more muted and shorn of the eccentricities.
The open arms of a triptych, framed by a long white corridor, welcome visitors to From time to time, the latest show at the Pace Gallery’s London outpost. The piece is a multifaceted, a combination of simple blocky graphics and rectilinear elements in relief on warm grey wood. Although predominantly flat and abstract, the centre panel has a spatial quality defined by monochromatic forms positioned in neat geometric order, like a Luis Barragán courtyard. Muted yet intriguing, it is a warm welcome to the artistic vision of Nathalie Du Pasquier…
