In Nathalie Du Pasquier’s New Solo Show, Everyday Objects Become Monuments


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The Memphis alum’s still lifes and maquettes are reminiscent of the erstwhile collective’s works, only more muted and shorn of the eccentricities.


The open arms of a triptych, framed by a long white corridor, welcome visitors to From time to time, the latest show at the Pace Gallery’s London outpost. The piece is a multifaceted, a combination of simple blocky graphics and rectilinear elements in relief on warm grey wood. Although predominantly flat and abstract, the centre panel has a spatial quality defined by monochromatic forms positioned in neat geometric order, like a Luis Barragán courtyard. Muted yet intriguing, it is a warm welcome to the artistic vision of Nathalie Du Pasquier


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